Born in León, Spain in 1977, I was given the name of Maria de la Cruz Morán Marcos, but I have been usually regarded as Macu Morán. In 2015 I created the artistic pseudonym Macu Moma in order to incorporate the last name of my mother into the identity where my soul is living nowadays. This is my way to feel connected and grateful to my astral family once they have left this plane of existence.
I was early diagnosed with hypomania and my broad spectrum of attention has been navigating through the tangible and intangible vast realms of human imagery. Since the dawn of my artistic praxis, I have tried to perceive what I call The Organic Code, and to transmit the insights of this specific field of visual research through art curations, and through my own body of work. Based on the revolutionary quantum theories that consider consciousness as the ultimate creator of reality, I identified the Universe as an artwork in itself, and believe that beauty is the ultimate purpose of existence. Within this context, the Organic Code would be the organically abstract canon which is the essence of beauty, mathematics, and science, and ultimately governs our existence as the true catalyst of the Multi-Universe, even if it transgresses the thresholds of our current rational understanding.
Under this hypothesis, nature is a work of art that clearly expresses this unifying code of the visible and invisible reality. This code has been illustrated in the sacred geometry of the Buddhist mandalas, as well as in the psychedelic art of the counterculture since the 60s, as it is commonly visualized when the pineal gland produces Dimetiltriptamine (DMT), the spiritual molecule, in altered states of consciousness, such as those produced by psychotropic medicines, transcendental meditation rituals and near-death experiences. This code is also very present in pre-logical cultures when thought forms were mainly developed by the limbic cortex, emotionality allowing a mystical fusion of the inner and outer world.
Nowadays that quantum physicists are deeply interested in the findings of Buddhist spirituality, in an effort to predetermine the inconceivable attitude of neutrinos, the assimilation of the Organic Code becomes of great help to understand the actions of the universal consciousness in itself, identifying the observer with the observed. To wander around these sort of expressions allows us to glimpse the specular effect of perceiving the whole in the fragment and the fragment in the whole.
Viewing the patterns of the organic code and the golden ratio, allow us to be candidly astonished by the harmony, the balance, and the symmetry that the complex ingenuity of nature gives to us in all areas of our existence. Obsessed with capturing that ethereal order that structures coherence, my works differ in mediums, techniques, and forms, but they remain faithful to the style of this purpose, as a lover of subtleties as complex as the personality of colors and as an ally of light my condescending brush. The growing possibilities offered by technological advances and new materials encourage my curiosity, allowing me to produce experiences of great sensory richness, with the support of many other artists with converging researches.
Inspired by the crossroads between art, science, and spirituality, my work appeals to instinct and sensitivity as ways of perceiving higher realities, precursors of the species evolution. To this end, I try to articulates elements that relate to the universality of these ideas, trying to reveal the coordinates of galactic activity and the centripetal energies that define our particular destiny.
My work overwhelms rationality with a generous imagination, interlacing images of aesthetic approach and sociological background, in a garden of spheres, lights, colors, curves, and cuts, which appears familiar and wrap us in a frequency as real as abstract. I am determined to create alternative realities following the current continuum of the microcosm and the macrocosm, inherent in logic but incorporeal in nature, discovering exciting connections and translating it into our social dimension.
I am committed to the polyhedral development of the cognitive abilities of the contemporary human being, trying to co-create with a cosmic validity, seducing viewers through their formal empathy with nature and thoughtful fantasy, embarking us towards fascinating suggestions and sensible melodies for the senses.
Universe wraps us with veils of beauty.